Epistrophe

A Backward Glance at Literature, Music, Comics, Film and Reality


Blog: DH 1

Driftin’ CD with cover design and artwork by Mark Jay Brewin Jr.

May 14, 2023

“Hot, Hazy and Miles”/”The Wheel”

As a musical ensemble, Dark Hollow spent the 1990s and early 2000s exploring a sound that embraced all of the arts and challenged the customary “thinking inside the box.” Here are two of our tracks from that period that best exemplify this.   

  • “Bebop bleeds big and thick out of waterfront back alleys.” The title and opening lines of “Hot Hazy and Miles,” from Dark Hollow’s eponymous debut, identify this as a paean to the giants of Jazz and the language of the Beats, a shifting mix of words, vocals, instruments and moods. The song was written by Jerry Gormley and myself and recorded by Katie Coltri, Joe Bocchetti and me. This version is a digital remaster of the track. Copyright: Farinaccio/Gormley 1996

“Hot, Hazy and Miles”

Co-composed with Jerry Gormley, “The Wheel” was recorded in 2002 for Dark Hollow’s Driftin’ CD and features Joe Bocchetti, Mike Spina, Ernie Trionfo, Katie Coltri and me. I’ve always felt that the track successfully captured in sound the impressionistic imagery contained in the lyrics. This version is a digital remaster of the track. Copyright: Farinaccio/Gormley 1992

“The Wheel”

Dark Hollow CD with cover design and artwork by Lauren Gormley

Home

One response to “Blog: DH 1”

  1. Love the songs!

    Like

Leave a reply to Kathy Cancel reply

About Me

As an educator, musician and author of Road to Infinity: Marvel’s Multimedia Journey, Nothing to Turn Off: The Films and Video of Bob Dylan and Before the Wind: Charles K. Landis and Early Vineland as well as fifteen-years of articles for the SNJ Today newspaper, I am using Epistrophe as a platform for posting new writings, article reprints, book excerpts and original music.

Road to Infinity
Nothing to Turn Off
Before the Wind

2023 Posts

Double Agents

First Live-Action Daredevil

The Smiling Stranger in Bremen

“Hot, Hazy and Miles”/“The Wheel”

Pandemic Arts

Minstrels of the Dawn

Fact vs. Fiction

Assembled!

“Closer to the Wind”/”Sweet Texas Girl”

Many Ears to Please: Fairport’s U.S. Tours 1974-1975

Evening Shades of Gray

Joan Didion & Shifting Phantasmagoria

“Talkin’ to Myself”/“Love for Glory”

Altmanesque

“Kings & Queens”/“Light Behind Her Eyes”

Book Club Corner

Epistrophe/Epistrophy

Joy Abounded at Christmas

2024 Posts

Secret Hours by the Wall

The Spider-Man Movie That Wasn’t

“Driftin’”/“Never Be the Same”

Brian Auger & Oblivion Incorporated

Daredevil @ 60: Part 1 – Hell’s Kitchen

Philip Roth Revisited

Compositions in Spoken Word

Daredevil @ 60: Part 2 -The Netflix Series

All You Need Is Love

The Doors & the Matrix Masters

CSNY ’74: See the Sky About to Rain

Daredevil @ 60: Part 3 – The Charles Soule Run (2015-2018)

Hear the Train A-Coming

Robert Hunter: Tales of the Consummate Writer

Streaming Spook Street

Breaking the Dark: Jessica Jones in England

Dylan: Tour ’74 Revisited

Hot Tuna: Been So Long

2025 Posts

Moon Knight, Venom & What If

Waltzing

Richard Thompson: Time Will Show the Wiser

Daredevil @ 60: Part 4 – Miller’s Elektra

Steven Wilson’s Overview

Daredevil @ 60: Part 5 – Born Again

Kisses in the Rain

Joan Didion’s Notes

The Lost Mick Herron Story

Fairport: It All Came Round Again

A Leaf on a Windy Day

Guitar Tales: McLaughlin & Davis

Mick Herron’s First Novel

Cold Day in Hell/Hush 2

The Rascals: The Complete Atlantic Studio Recordings

Don’t Come Knocking

Smiley’s Choice

Clown Town: Past, Present & Pitchforks

The Geography of Neil Young

Duchovny, Hartley & New Criticism

James Douglas Morrison, Poet

The Story Behind The Monkees’ 1967 Christmas Cover 

Newsletter

Photo by Krissy
Photo by Krissy
Photo by Krissy
Photo by Kathy